From Rotterdam to the recesses of memory, Rejection Ratio is a band reborn, resuming their enduring musical story for the modern age. Formed in the 1980s, the group features the talents of Nelly on vocals, Ruud on bass, Pityu on guitar and Ton on drums, who were once part of the underground current rippling through Europe’s post punk and new wave scenes. Decades later, they’ve resurfaced with a sound that remains as unique as ever, serving up emotion wrapped in stacked instrumentation, balancing between the energy of rock and the intriguing aesthetics of art pop.
Back in 1997, the band entered the studio to record an album the old-fashioned way, live, in one take, with no audience and no overdubs. It was a moment captured in time, with the sessions recorded to DAT tape, a format already teetering on obsolescence, before it was quietly shelved. Not long after, the group fell into silence and Nelly, the band’s powerful and unpredictable vocalist, began to experience severe hearing issues that threatened her ability to perform. Years later, doctors discovered the unexpected cause was her stomach and though the condition eventually improved, the damage had already done its part.
The music, however, never died; a forgotten cassette copy resurfaced years later, sparking a conversation among the members. The songs still carried impact, they still spoke truth. So, they decided to return to finally let their shared musical vision blossom. The original DAT tape, along with one track preserved on a large analogue reel, was recovered, digitised and remastered by the same engineer who had recorded it all those years before.
This revival has resulted in their forthcoming album, Acceptance Quotum Resonance, heralded by its lead single titled “Love is Like Heaven,” a song originally penned decades ago but with an emotional context that feels astonishingly relevant today. The band’s timeless songwriting, preserved in a vintage sound offers something truly magical, offering a snapshot taken in the past and reframing it for today’s audience. Opened by the shuffle of rustling drums and strums of clean guitar chords, a steady groove forms as Nelly’s expressive voice enters to spin lively melodies above.
Serving up an anthemic indie rock sound dashed with new wave and post punk vibes, the track rolls with energising rhythms and catchy songwriting all capped by Nelly’s utterly spectacular vocal performance. Gliding with theatrical delivery which flickers between memorable melodic moments and hypnotic vocalisations, the ebb and flow of the arrangement maintains an engaging backdrop throughout, resulting in an epic moment of rock music that’s sure to win over fans around the world.
With a deft balance of musicianship flair and slick songwriting, the intricate tension between tight performance and jittery energy results in a truly engrossing listening experience unlike any other. Rejection Ratio’s music, once trapped in a drawer and nearly lost to time, now breathes again, untouched by fads or shifting influence. As they share more material from Acceptance Quotum Resonance, Rejection Ratio are proving that their music can stand the test of time and still impress listeners in a completely different era. Keep up to date with Rejection Radio via their website here.
Listen to Love is Like Heaven below
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