Swedish-American duo flora cash, made up of Shpresa Lleshaj and Cole Randall, have been on an incredible creative journey ever since their fateful connection on SoundCloud in 2012. Their shared passion for music quickly blossomed into a partnership, both personally and creatively, and they’ve since amassed an impressive discography that’s charmed audiences around the world. From their debut EP, Mighty Fine, to their critically acclaimed full-length albums, the duo has become a celebrated act in the alternative indie sphere.
With over half a billion streams and counting, flora cash’s impact has been impressive and thoroughly deserved. Their sound is a fusion of alternative pop and indie, underpinned by poignant lyricism that explores life, identity and emotional vulnerability. Their breakthrough came with the viral success of the chart-topping single “You’re Somebody Else,” which became a massive hit on alternative radio and found new life as a sensation on TikTok, earning them Platinum certification in the USA as well as achieving Gold and Platinum status in several other countries.
Since signing with Icons Creating Evil Art in 2015, flora cash’s have been nominated for Swedish Artist of the Year and Swedish Newcomer of the Year. Their debut album, Nothing Lasts Forever (And It’s Fine), released in 2017, was a milestone in their career, further proving their ability to connect with listeners through heartfelt storytelling and dreamy, atmospheric production while their music has also found its way into popular TV shows such as The Good Doctor, Locke & Key and Janet King.
Now, flora cash returns with their highly anticipated fourth studio album, behind every beautiful thing. The eleven-track record was entirely written and produced by the pair, featuring contributions from violinist Djordje Milanovic and cellist Yoed Nir who add an orchestral quality to flora cash’s sound. Throughout the LP, flora cash play with contrasts in its themes, juxtaposing sincerity with irony, hope with doubt and heaven with hell. It’s an exploration of life’s imperfections, of love’s highs and lows and of the tension between holding on and letting go framed through a shifting sonic output that flows between dark orchestral aesthetics to lo-fi indie vibes.
Started off with “Should’ve Dressed for the Event,” a hazy atmosphere wraps around gentle piano notes as the quivering vocals cast a moving scene. Serving up a powerfully emotive sound, the song builds with delicate strings and lilting rhythmic sway to craft a truly enchanting soundscape. “just wanna feel you” opens with soft vocals and elegant piano backing before being joined by the laid back groove of the snapping beat to forge a mellow jam that’s memorable and meaningful in equal measure.
With “Like No One Could,” the warm textures of cello give way to hushed piano chords and subtly lively vocal flutters before the arrangement of tapped percussion and airy instrumentation tumbles into place as the split vocal performance delivers a stunning musical experience. Other highlights on the album include songs like “The Night Is Young” where delightful lead vocals drift above the soothing patter of drums and swirling instrumental elements, resulting in a beautiful slice of their superb songwriting filtered through a misty musical lens.
Closing the album, “The Builder (För J. Blom)” presents an alluring instrumental outing that builds from the tender into of graceful strings, piano and percussive shots to the cinematic and grand sound of striking drums and layers of swelling instrumentation, offering a spectacular and gripping finale to the sensational new album from flora cash.
Listen to behind every beautiful thing below
More from Albums
New full-length record from Divergent
While some musical ambitions take a little longer to find their moment, the journey for Iowa-based trio Divergent has been …
New album from Ashot Danielyan
Based in Moscow, pianist, composer and improviser Ashot Danielyan has spent more than a decade developing a musical output that …
Bryan Howell returns with new studio album
Originally hailing from central New York and now based in Nashville, Bryan Howell has spent more than a decade developing …











