Kim Logan & the Silhouettes is a band who seem to shine in the wreckage by turning collapse into creation. Formed from the unlikely meeting points of the American South and rural New England, their sound is a storm of contradictions, offering music that’s gothic yet soulful, digital yet warm and seductive yet defiant. They call themselves transatlantic rock alchemists and it fits perfectly, this is music built for the end times, for transformation, for dancing as the world burns.
At the centre of it all is Kim Logan, an artist with the kind of presence that feels at once mythical and magnetic. Her voice casts a spell that carries the emotional impact of artists like PJ Harvey, Amy Winehouse and Mark Lanegan, while her songwriting bites with sharp philosophical edge. It’s no surprise she’s worked alongside an impressive list of collaborators from Vance Powell and Brett Orrison to Low Cut Connie, Nikki Lane and Tyler Bryant, each partnership adding new shades to her ever-expanding sonic output.
After years of relentless touring 38 American states and six European countries, Kim Logan & the Silhouettes have eared a reputation as one of the most thrilling live acts on the circuit. From The Great Escape Festival to Paramount Theatre Los Angeles, the band have commanded stages with sonic intensity, earning features in SPIN, Rolling Stone Español and Billboard Brasil along the way.
Now, with their third full-length album titled Saturnalia, Kim Logan & the Silhouettes take another exciting leap forward in their musical adventure. Produced by Rex Roulette, whose credits include Bob Vylan, Eagles of Death Metal and KALEO, the record features an all-star rhythm section of Dominic Davis on bass and Chris Prendergast on drums with Adeleye Omotayo lending a stunning guest vocal.
While earlier releases leaned into retro rock grit, Saturnalia feels like the dawn of something darker and more daring; the record drifts between trip hop, industrial and French darkwave pop stylings, capturing a mood that’s equal parts futuristic and feral. Tracks like opener “Half Life” and “Heart of Crystal” glimmer with industrial goth pop aesthetic, while “The Temple (Redux)” and “Game Over” pulse with the claustrophobic energy of a club teetering on collapse.
“Mimi Says Dance” and “The Dragon” summon flashes of both brooding intensity and slick groove, crafting mesmeric soundtracks to a world on the brink. Lyrically, Kim Logan peers into the abyss through a poetic lens, with her words dissecting decay to form a manifesto for survival and offer a reminder that from destruction comes reinvention. With Saturnalia, Kim Logan & the Silhouettes have delivered a record that feels like an omen and a revolution in equal measure, serving up music for a generation learning to dance through the apocalypse.
Listen to Saturnalia below
More from Albums
New full-length record from Divergent
While some musical ambitions take a little longer to find their moment, the journey for Iowa-based trio Divergent has been …
New album from Ashot Danielyan
Based in Moscow, pianist, composer and improviser Ashot Danielyan has spent more than a decade developing a musical output that …
Bryan Howell returns with new studio album
Originally hailing from central New York and now based in Nashville, Bryan Howell has spent more than a decade developing …











