From the myth-steeped peaks of the Caucasus comes Mikey La Luna, an artist who stands at the crossroads of body, spirit and sound. A former Georgian ballet dancer turned producer, he channels a unique artistic intensity that’s part ritual and part revelation, coalescing where movement and music melt into one transformative experience. His work isn’t merely something to be listened to, it’s something to be felt, lived and surrendered to.
Before becoming Mikey La Luna, he was known to audiences as Tash Tash, a live performer who lit up stages by reimagining Georgian folk music through the kaleidoscopic lens of electronic production. His shows were groove-focused, a collision of ancestral rhythm and modern euphoria, traditional melodies exploding into digital soundscapes that turned heritage into celebration. Each performance felt like an invocation, equal parts dance and exorcism, as if he were remixing centuries of cultural memory into something alive and ecstatic.
But even as the energy of that project spread, something quieter and deeper began to call him; beneath the flashing lights and enamoured crowds, Mikey felt drawn to the spaces where sound is also medicine, where rhythm becomes healing and melody feels like prayer. That pull led him to explore shamanic ceremony and rave culture, two seemingly opposite worlds that shared one vital truth, communal release through music.

From dusty desert gatherings to moonlit dancefloors, Mikey La Luna began to view electronic music as spiritual technology and a way to reach collective transcendence. His debut EP, Embrace the Light, introduced that world in full colour with five tracks that simmered like a ceremony disguised as a club record.
Now, he opens a new chapter with his latest single titled “Hallelujah,” a track that lives at the meeting point of spirit and club. Thematically, the song draws on biblical and Quranic phrases, as ancient languages used for their emotional connection, their vibration, their capacity to connect across division. As Mikey puts it, “This track is especially important to me as a statement of connection in a divided time.”
It’s psych-tinged melodic techno with an emotional context; deep, rolling basslines that propel dark, intimate vocals sung in Hebrew and Arabic, countered by an ethereal, angelic voice from guest vocalist Daniela Dvash. Setting the trance-inducing pace with the steady punch of kick and pluck of bass notes, the soft flutter of sweeping instrumental texture and processed vocalisations give way to mesmeric guitar leads, forming a dance-focused soundscape that intricately balances organic tones with crisp digital elements.
With Mikey’s mantra-esque vocals bubbling away among the bright pips of synth tones, Daniela’s elegant vocals enter with chimes of “hallelujah” to cast a truly enchanting musical spell. Building throughout the engrossing six and a half minute voyage, with “Hallelujah,” Mikey La Luna serves up another stunning musical experience unlike any other. Paired with the single is a self-directed music video which captures Mikey La Luna and Daniela Dvash performing the song in a quiet street under the soft glow of a full moon to offer an engaging visual accompaniment for the music.
Watch the music video for Hallelujah below
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