Coming out of Sydney with a sound that feels hedonistic and theatrical, Shitzulover07 is walking a fiercely unique path in the world of electronic pop. Landing somewhere between the glow of the dancefloor and the shadows that flicker just beyond it, her music is equally sensual and unsettling, playful and emotionally charged. She operates as a self-producing architect of atmosphere, building tracks that feel immersive, unpredictable and deeply tied to the energy of nightlife.
Her work leans into gothic textures while embracing the wide appeal and shimmer of pop, creating a tension that runs through every moment of her output. It’s a sound that’s shaped by brief connections and reflection while themes of fame, love and identity surface repeatedly, though rarely in straightforward ways.
Her expansive debut album TILL DEATH DO US PART offers the perfect run through of her highly original musical vision. Spanning 24 tracks, it’s an incredible body of work that reflects two years of creative development, ambition and collaboration. The album arrives like a series of interconnected scenes, each one capturing a different emotional or sensory moment, resulting in a listening experience that’s like being carried from one space to another, from the intensity of the club to the solitude of the journey home.
Sonically, the record draws heavily from the late 2000s and early 2010s recession-pop era, reworking those influences into something cutting edge and personal. Thick basslines, bright synths and sharp vocal processing form the enveloping arrangements, while her use of autotune and vocal chops adds an additional level of texture.

Contributions from Jade Nicole, Mika Montag, Solar Angel, Cuntessa and Yøji bring additional voices into the mix, reinforcing the sense of community that sits beneath the project. The title track, “TILL DEATH DO US PART,” opens the album with a sense of drama, its vocoder-driven sound and bouncing pop structure frames a desire for connection that quietly ripples throughout the wider project. It’s a recurring feeling that appears in different forms as the album progresses.
Tracks like “DIRTY” venture further into the club space, embracing a more overt, high-energy aesthetics, while “231” sees Shitzulover07 link up with Jade Nicole to cast a dreamy hyperpop outing brimming with lively beats, pulsing synths and airy vocal leads. “GHOST” offers a more emotional and reflective moment wrapped up in a colourful arrangement of staccato synth pips, soft percussion and emotive vocal performance.
“BLACK DAHLIA” leans into a darker sphere, blending hyper-dance-pop elements with themes of fame and danger, all filtered through a spacey, synth-heavy arrangement. “LOVE DON’T COST A THING,” featuring Yøji, drifts with bubbling synth elements and snapping drums as delicate vocals float above to form a transportive soundscape full of hypnotic rhythm and hazy electronic vibes. Closing the record with DJ TOMA’s remix of “MOVES,” the finale serves up a gripping club-focused scene that rolls with punching beats and moody synths.
Written and recorded across Melbourne, Sydney and rural New South Wales, much of the album was created alongside close friends, resulting in something that feels at once communal and personal, a reflection of shared experiences filtered through an individual perspective. Ultimately, TILL DEATH DO US PART extends an invitation into Shitzulover07’s world where glamour, vulnerability and self-expression collide in spectacular fashion, offering a thrilling musical work that’s sure to win over fans across Australia and beyond.
Listen to TILL DEATH DO US PART below
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