INTERVIEW: Rimbano links with Snooko on “Chase The Devil”

Coming out of Italy with a slick tech house sound, Rimbano has built his identity around groove and an instinct for movement that’s equally calculated and free-flowing. Since setting out on his musical adventure, he was quick to gain momentum, signing his first record deal at just sixteen and quickly marking himself out within a global network of producers shaping the modern club landscape.

Heavy basslines, Latin-influenced percussion and tightly structured rhythms designed with the dancefloor in mind form a sound that locks in, creating a physical response as much as a sonic one. That focus has led to releases on labels such as Hellbent Records, Sink Or Swim and Glasgow Underground, each adding to his reputation as a producer who understands how to translate energy into form.

Support from key figures like John Summit, The Martinez Brothers, Cloonee and Gordo who’ve consistently backed his tracks, helped them break into the Beatport Top 100 and reach audiences around the world. But beyond metrics and endorsements, what stands out is the consistency of his sonic output and with his latest release titled “Chase The Devil,” he now serves up a collaboration with Miami-based DJ and producer Snooko. Released as part of Hellbent Records’ Welcome To Hell V compilation, the track arrives as part of the label’s Latin-inspired tech house direction for 2026 while maintaining the individuality of both artists involved.

Snooko brings his own established presence into the collaboration; active since 2015, his career has seen him perform across major cities including Los Angeles, Dallas, New York and Montreal, as well as at venues like Miami’s Club Space. His work has drawn support from a wide range of artists, from Michael Bibi and Cloonee to Acraze and SidePiece, reflecting a versatility that extends beyond tech house into genres such as dubstep.

“Chase The Devil” brings a deft balance of groove and character, jumping straight in with the rattle of percussion as bright trumpet lines ring out above before fading into the distance. A pre-drop vocal, delivered in a classic Jamaican reggae style, creates a sense of anticipation that feeds into the track’s core rhythm and from there, elements begin to stack with the shuffling of punching drums while a distinctive trumpet line adds a playful, melodic edge.

At its heart, “Chase The Devil” is about movement with hypnotic rhythms pulling the listener in as the vibrant, almost mischievous energy keeps things unpredictable from start to finish. It captures the essence of what both Rimbano and Snooko bring to the table, a shared understanding of how to build tension, release it and keep the dancefloor engaged throughout. As Rimbano continues to go from strength to strength as a must watch producer on the rise, he once again adds an epic new addition to his impressive discography.

We caught up with Rimbano to find out more about his musical journey so far, his new single “Chase The Devil” with Snooko and what he’s got lined up for the future. Check out our interview with Rimbano below.

Hey Rimbano, how’s things?

All good, staying focused and working a lot in the studio. It’s been a very intense period, but that’s exactly where I feel most comfortable.

Which artists do you draw most inspiration from?

I’d say Cloonee, Solardo and The Martinez Brothers. They’ve all built a very strong identity in the global house scene, and that’s something I’ve always aimed for in my own project.

How else do you find inspiration for your music?

I grew up as a big fan of pop music, and that influence is still there. I don’t feel the need to force myself into being “underground”: pop culture shaped my ear just as much as Latin music and club culture did.
At the same time, cinema plays a big role, especially horror and cult films. That’s where I’ve learned how to build tension and release it at the right moment, which is something I try to translate directly into my tracks.

What was your highlight of 2025?

2025 was a turning point. Signing on Cloonee’s Hellbent Records and receiving support from top-tier artists like Gordo and Solardo was huge for me.
On top of that, being personally selected by Andruss as an A&R for Drop Low Records was a major step. The label has a consistent track record of charting on Beatport, so having a key role in shaping its releases means being directly involved in a platform that’s actively performing at a global level.

What do you love about your local music scene?

To be honest, the local scene is still quite limited and often too tied to older sounds, leaving little space for new artists and forward-thinking directions.
That said, there are a few standout realities actively pushing the scene forward. I’m a member and active collaborator of Milan/Oh and Jelly Tape: two distinguished platforms known for curating cutting-edge lineups and prioritizing innovation over trends. Being involved with them means being part of a selective network that is shaping the next wave of the scene in Northern Italy.

What would you say is the perfect setting for listeners to enjoy your sound?

My music works in both festivals and clubs, but nothing beats a packed club at 2AM. Low lights, a strong sound system and a crowd that’s fully locked in. That’s where my sound really hits the way it’s supposed to.

How has your own style and sound evolved since you started out?

I’ve gone through different phases in electronic music, even releasing on labels like Hardwell’s Revealed Recordings with a completely different sound.
Over the last few years, I’ve refined everything into a more percussive, groove-driven tech house style, which feels much closer to my identity.

How did you find making your collaborative single “Chase The Devil”?

It was a remote collaboration: I was in Italy while Snooko was in Miami. He sent me the initial idea, and I developed it further, reshaping parts of the track and pushing it closer to my sound. The process was very smooth, we were aligned from the start, so everything came together naturally.

What message did you want to get across with this release?

“Chase The Devil” represents the direction I want to push in 2026: a more defined, percussive tech house sound with a strong identity. It’s not just a track, it’s a statement of where I’m going next.

What artist have you been listening to most recently?

In electronic music, I’ve been listening a lot to Jay de Lys: his growth in the last few years has been impressive.
I’ve also been following Beyond Limits, an emerging UK duo I recently signed to Drop Low Records: they’re putting out very strong music.
Outside of electronic music, I’ve been going back to early 2000s hip hop, especially Timbaland and that whole era.

What’s the main thing you want people to get out of listening to your music?

Energy. I want people to feel something immediate and physical when they hear my tracks. It’s not about overthinking, it’s about that instant connection between the music and the crowd.

What’s been your favourite live performance so far?

Definitely my set in London at Jungla Club, playing B2B with ACID HARRY. The energy in the room was great, and everything just clicked perfectly.

Who would be 3 artists to headline your dream festival? And where would it be?

Cloonee, Patrick Topping and Jay de Lys in Miami. That combination would perfectly represent where the scene is heading right now.

Do you have any advice for a new artist wanting to follow your footsteps?

Obsession, consistency and trusting your gut. If you really want something, there’s no shortcut, but there’s also nothing that can stop you if you’re fully locked in.

Finally, what do you have lined up next?

I’ve got a release coming on Solardo’s label Sola, plus another one on a label run by a key resident artist from Elrow. On top of that, more international shows and a lot of new music: I’ve been experimenting a lot lately, and that’s going to be reflected in what’s coming next.

Listen to Chase The Devil below