Synecdoche Montauk releases new album

London-based, Moscow-born artist Savva Rozanov has been captivating fans with his experimental pop project Synecdoche Montauk for over a decade. With a string of impressive releases under his belt, the artist has continued to push boundaries and cement his place as one of Russia’s most innovative musical exports. Rozanov’s genre-defying sound, which he dubs “Pierrot-core,” combines elements of R&B, folk and baroque pop, among others, resulting in a unique and completely groundbreaking sonic offering.

The latest release from Synecdoche Montauk, the album Acume, showcases the artist’s stunning musicianship and creativity. The seven-track record features a blend of organic tones, snapping beats, and electronic instrumental textures, resulting in a kaleidoscopic sound that transports listeners into a dreamy, highly detailed world. From the glittering synths that throb along deep bass lines to the delicate vocal harmonisations that glide above them, Acume delivers an ethereal journey that continues to reward with repeat listens.

Rozanov’s collaborations with other artists have further cemented his reputation as an experimental pop icon. From established artists like Kedr Livanskiy and Tim Aminov to rising stars like White Punk and CREAM SODA, the artist has shown a willingness to push boundaries and explore new sonic territories.

The album opens with “KG,” a track that sets the tone for the rest of the album. The song features Rozanov’s delicate, choral-style vocals over a lush soundscape of synths and strings, creating a dreamy atmosphere that draws the listener in. “Brawl” follows, serving a more progressive ballad arrangement capped by soaring vocal leads carrying dynamic and alluring melodies.

“Forest of Hands,” is a standout on the album, showcasing Rozanov’s mastery of blending organic and electronic textures. The song’s driving rhythm is complemented by a mix of strings, synths, and Rozanov’s hypnotic vocals. “Music for heavenly Lada Samara” takes a more melancholic turn, with sparse instrumentation that allows Rozanov’s vocals to take centre stage.

The album closes with “Bitch Face,” a track that features a playing piano backing and Rozanov’s beautifully floating vocal work. It’s a fitting end to an album that showcases the artist’s stunning musicianship, vocal talent and expansive creativity.

Overall, Acume is a truly impressive addition to Synecdoche Montauk’s already sensational discography. The album’s blend of organic and electronic textures creates a captivating soundscape that reveals something new every time you hear it. Fans of experimental pop and innovative music should definitely check out this album and experience the mesmerising sound of Synecdoche Montauk for themselves.

Listen to Acume below

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