Hailing from Armenia, Daao emerges as a trailblazing musician who effortlessly weaves the strands of jazz and electronic elements into a harmonious tapestry. He’s not just an artist; he’s a creator, a director, and an explorer, fashioning his unique soundscapes to keep the groove alive and thriving. Fuelled by his love for jazz and electronic rhythms, he’s carved a distinct niche for himself in the ever-evolving world of music. His compositions transcend boundaries, fusing the intricate harmonies of European jazz with the nostalgic beats of old-school electronics, resulting in a captivating and genre-defying musical experience.
Daao’s latest offering, his new album titled HOME, captures this innovative approach and serves as an evocative and inspiring showcase of the power of unity and collaboration across varying beliefs and backgrounds. The album comprises seven tracks that offer an auditory odyssey through Daao’s unique musical perspective. Collaborations with fellow artists further enrich the record, as each contributor lends their distinct sonic flair to the artist’s vision.
The journey commences with “GRANDMA’S KITCHEN,” featuring Shhau. This electro-jazz composition exudes an invigorating energy, driven by shuffling drums and adorned with an amalgamation of stretched strings, resonant basslines, polished brass leads and staccato instrumental plucks. The track’s unpredictable twists and turns command the listener’s attention from the very start. On “TRAVELER’S BALLAD,” Daao collaborates with Hayk Karoyi to craft a downtempo masterpiece. The hypnotic interplay of smooth flute tones and resonant guitar twangs creates a mesmerising and contemplative ambiance, transporting the listener to uncharted emotional territories.

“MY CAGE,” featuring Mesrop, delves into modern jazz composition with finesse. The track navigates through shifting rhythms and intricate instrumental arrangements, weaving a sonic tapestry that leaves a lasting impression. The album concludes with “MIDNIGHT DAAO,” a finale that showcases Daao’s creativity and performance prowess. With punchy drums, vibrant sax melodies, playful piano notes,and vocal samples, this composition paints a hazy and energising sonic scene that encapsulates the album’s essence.
HOME signifies a bold exploration of musical genres, combining the sophistication and improvisational allure of jazz with the infectious energy of classic electronic beats. This amalgamation seamlessly merges intricate melodies, harmonies and rhythms, transporting listeners on an unforgettable journey through a dynamic and diverse musical realm.
With each track, “HOME” unveils a unique narrative, traversing a spectrum of moods and emotions. From hypnotising moments that resonate with the soul to enthralling grooves that ignite the spirit, the album showcases Daao’s remarkable ability to craft powerful musical experiences.
We caught up with Daao to find out more about his musical journey so far, his new album HOME and what he’s got lined up for the future. Check out our interview with Daao below.
Hey Daao, how’s things?
Hey and thanks for talking with me. It’s only halfway through the year, and it’s already been a whirlwind. As Daao, I’ve covered a lot of ground, both in travels and in music, finishing up an album and dropping some standalone tracks.
I’ve also dabbled in directing, diving deep into visual storytelling. Merging this with my music has opened up a whole new world for me. To put it simply, the year’s been packed and pretty amazing so far.
What’s your earliest memory of making music?
My journey with music began around nine years ago when I delved into production tools. At first, I was drawn to hip-hop, then to dance music. Over time, my sound evolved, taking on more complex and abstract shapes as I used it as a canvas for my inner thoughts and feelings.
Music, however, has always been a presence in my life. I attended music school as a child, went through a phase of distancing myself from it, and eventually found my way back with a renewed perspective.
Which artists do you draw most inspiration from today?
Deciphering my inspirations can be intricate, as they’re not only numerous but also diverse in the impact they have on me. Once an artist or influence resonates with me, it lingers, shaping different facets of my persona and craft. For instance, some mold my character, while others inform my musical style or my perspectives on design, film, and philosophy.
On the musical front, I’ve been immersed in the sounds of Tribe Called Quest, J Dilla, Erykah Badu, and the Soulquarians family. Their discography is like an expansive tapestry where each listen reveals something new. I’m also attuned to the vibes of Isaac Hayes, Duke Pearson, The Juju Orchestra, Yussef Dayes, Mansur Brown, Alfa Mist, Kamaal Williams, Kamasi Washington, among others.
Beyond just the sonic realm, there are personalities whose ethos I greatly respect, such as Tyler, the Creator, Kendrick Lamar, and Virgil Abloh. The indomitable spirit of Jean-Michel Basquiat and contemporaries from his era also play a significant role in shaping my perspective.
How else do you find inspiration for your music?
To be honest, I just live and try to live to the fullest. I’m constantly traveling, changing my surroundings, and striving to stay focused and aware. All of this fuels my drive and inspiration for new creations.
What do you love about the Armenian music scene?
What I genuinely love about the Armenian music scene is that I’m an integral part of its tapestry. It’s truly inspiring to witness the payoff from the immense hard work that individuals have invested over the years. What’s even more exciting is that we are still in our rising era, suggesting there’s so much potential and more to come.
What would you say is the perfect setting for listeners to enjoy your sound?
I wouldn’t necessarily say there’s a one-size-fits-all perfect setting for my sound. However, I do believe it’s best appreciated during moments of solitude. The compositions I’ve crafted are a bit off the beaten path, and the emotions embedded within them require a certain level of attentiveness. When listeners grant themselves that quiet space and time
How has your own style and sound evolved since you started out?
When I first dipped my toes into music, it was all about learning and, to some extent, emulating. Those early days were filled with a voracious appetite for a wide musical spectrum: from the timeless pieces of Claude Debussy, Aram Khachatryan, and Erik Satie, to the evocative sonics of Ennio Morricone and Arno Babajanyan. Not to mention the captivating world of jazz, which unfolded before me via my grandfather’s mixtapes.
For me, emulation wasn’t about copying—it was about immersing myself, understanding the soul and technique of music that truly resonated with me. This deep dive served as foundational layers upon which I could build.
As I moved forward, armed with this rich tapestry of influences and continued introspection, I could feel my own distinct style sprouting. It wasn’t a sudden shift, but more of an evolving journey—my musical palette widening, crystallizing, and eventually expressing itself distinctly as daao.
Now, when I look back, my music is a mosaic of my life’s journey and influences, morphing into what I’d describe as my unique touch: electronic fusion jazz. It’s this enchanting dance where electronic rhythms seamlessly blend with acoustic percussions, further adorned by the lush hues of Rhodes melodies.
How did you find making your new album ‘HOME’?
Creating my new album, “HOME”, was truly an intimate journey that encapsulated various facets of my experiences, beliefs, and aspirations. At its core, while “HOME” might not strictly echo a political message, it undeniably carries the emotional weight of the ongoing challenges faced by Armenians. Born and nurtured in Yerevan, the roots of this project trace back to the ground realities of my homeland. While its message finds relevance with a global audience, the album holds a special place as a tribute to my Armenian lineage and the shared experiences that have come with it.
On a creative front, the inception of “HOME” was a fusion of passion and collaboration. I remember my early days in Yerevan’s music scene, where I dreamt of collaborating with every electronic artist. As time passed, these artists transformed from mere collaborators to friends, and this bond reflected organically in the album. “HOME” epitomizes the power of collaboration, symbolizing that despite our diverse artistic inclinations, the synergy in creating something beautiful is always possible.
The backdrop of the pandemic, compounded by the distress of conflicts in Armenia, made “HOME” all the more poignant. These tumultuous times triggered a wave of emotions, pushing our youth to grapple with raw realities. Consequently, we found ourselves on the frontlines, fighting for cultural preservation and carving out our own narrative of resilience and purpose.
In essence, “HOME” is not just an album; it’s a transformative journey.
What message did you want to get across with this release?
With this release, I aimed to convey the cyclical and ever-evolving nature of “HOME”. At its core, the message underscores that a home isn’t just a physical or inherited space; it’s an entity that requires nurturing, commitment, and evolution. Life takes us through various phases: initially, a home serves as a sanctuary, sheltering and guarding us. As we progress, we might drift away or even lose it, propelling us into a phase of rebuilding and redefining. The act of reconstructing our own ‘home’ isn’t merely about personal comfort but also about forging a haven for those who come next – be it the next generation or anyone we hold dear.
Beyond this intricate narrative, the primary sentiment I wish to share is the power of collective effort. When we unite, pool our strengths, and work collaboratively, we’re not only preserving our own sanctuaries but also enriching the world around us. The beauty, after all, isn’t just in having a home but in the shared journey of crafting and cherishing it together.
What artist have you been listening to most recently?
Lately, I’ve been jamming to a lot of Black Sabbath, Jimi Hendrix, The Doors, Penny Goodwin, and Mousa Dambuia. They’ve been on repeat for a while now.
What’s the main thing you want people to get out of listening to your music?
I want people to connect with my music on a personal level and perhaps find a bit of themselves in it. I hope it sparks reflection, offers comfort, or even challenges their perspectives. Essentially, I aim for my music to be a journey they can embark on, one that resonates and leaves a lasting impression.
What’s been your favourite live performance so far?
Every show has its own unique vibe and memory attached to it. But if I had to lean towards a trend, it’s evident that with time, my performances are evolving – they’re becoming more intricate and captivating, not just for the audience but for me as well. While I don’t have that one standout show just yet, I feel that with the direction I’m heading, some truly special performances are on the horizon.
Who would be 3 artists to headline your dream festival? And where would it be?
Three artists headlining my dream festival would be Nicolas Jaar, Mulatu Astatke, and J Dilla. Imagining these incredible talents all in one place is just surreal. It would undoubtedly be somewhere in my mountainous Armenia.
Do you have any advice for a new artist wanting to follow your footsteps?
I would say Keep digging. Engage in your craft not just for the end product, but for the journey of self-discovery and personal growth. Let your curiosity guide you, and always strive for self-improvement.
Finally, what do you have lined up for the rest of 2023?
I’ve got quite a bit on my plate. I’m delving into collaborative projects where I’ll be at the helm of both designing and directing. Additionally, I’m working on a documentary-visual piece that dives into the unique experiences of the youth born in the 90s and their journey through the 2000s. On top of that, there will be several live radio podcast performances, and also a few new music releases. It’s shaping up to be a packed and exciting year!
Listen to HOME below
More from Albums
New full-length record from Divergent
While some musical ambitions take a little longer to find their moment, the journey for Iowa-based trio Divergent has been …
New album from Ashot Danielyan
Based in Moscow, pianist, composer and improviser Ashot Danielyan has spent more than a decade developing a musical output that …
Bryan Howell returns with new studio album
Originally hailing from central New York and now based in Nashville, Bryan Howell has spent more than a decade developing …










