INTERVIEW: Debut EP from By Million Wires

Coming out of Tarnów in southern Poland, By Million Wires have spent years pursuing the space where atmosphere is delivered via impact. Since forming back in 2007, the alternative outfit has forged a sound balanced on the edge of dreamy post rock and melodic energy, forever chasing the perfect collision between guitar noise, emotional context and all consuming sound. Their story is one of patience, reinvention and unfinished chapters finally finding a voice again.

The band was formed by obsession with sound, with texture, with the way music can communicate feeling when words fall short. Their early vision centred on thoughtful compositions that paired the drifting expansiveness of post rock with an alternative style more gripping in tone. Sharp-edged guitar lines met clouds of effects, while melody remained essential rather than ornamental.

That vision quickly translated to the stage and over time, the group built momentum through numerous live shows, eventually performing on the Grand Prix Stage at the prestigious Seven Festival in Węgorzewo. It was another marker in the steady rise of a band whose appeal came not from from emotive songwriting and sonic conviction. Their debut record, Letters to the Absent, arrived in 2012 and was warmly received for its spacious guitar work, sensitivity and ability to build mood with care. The record played out as a lyrical story led by the distinctive voice of Anna, whose presence defined that first era.

Then came transformation; Anna’s departure marked the close of one chapter, but it also opened the possibility of another. For a period, their music leaned further into decisive instrumental post rock spheres, reflected in the single “87 Weeks.” The next significant shift arrived when guitarist Mirek Skrok stepped into frontman and vocal duties. His deep, emotional delivery altered the emotional centre of the band and combined with the dense, layered guitars that had long defined the group, the result was music carrying greater intimacy without sacrificing scale.

Now, in 2026, By Million Wires break a long silence with their brand new debut EP titled Not Over, marking the end of a 14-year hiatus. The material signals a move away from ethereal distance in favour of a intense and more powerful sound, now sharpened by experience and driven by Mirek’s commanding vocal presence.Though first recordings were made several years ago, the band chose to release them only now, believing the songs connect most fully in the present.

Opened by “Over,” soft guitar plucks and drifting tones build up before the pulse of bass and rustle of drums add a steady forward motion. As Mirek’s expressive voice glides in, he spins smooth melodic leads to from a melancholic rock scene that swells with lively guitar flickers while delicate melodies float through the memorable choruses. “Glass Houses” explores a fragile, shattering reality wrapped up in a downtempo post rock setting that flows with marching rhythm and impassioned vocal performance, rising with crunching guitars to serve up bursts of anthemic energy.

“I know better” moves in a swaying triple-meter rhythm, thematically confronting the need to find your own path when others try to dictate it. Above the mellow sway of the arrangement, airy vocals add to the atmosphere, forming an epic outing brimming with engaging ebb and flow throughout. With “Lost or Won,” the warm plucks of bass, taps of drums and intricate guitar backdrop rolls below compelling vocal performance to lay down a moving jam that’s catchy and meaningful in equal measure.

Closing the EP with “Runaway,” the bouncy blend of bright guitar notes, shuffling drums and grooving bass forms an energising scene that blooms with smooth vocals and flashes of indie rock energy and slick lead guitar flourishes to present an epic finale to the band’s superb debut EP. With the current line-up of Mirek Skrok on vocals and guitar, Dawid Moździerz on guitar, Mateusz Ostafil on bass and Dawid Remian on drums, By Million Wires have made an emphatic return to the music scene.

We caught up with the band’s drummer Dawid Remian to find out more about their musical journey so far, their debut EP Not Over and what they’ve got lined up for the future. Check out our interview with By Million Wires below.

Hey By Million Wires, how’s things?

Welcome! There’s been a lot going on lately, so we’ve been pretty busy. But it’s all positive buzz, great to hear!

Is there a story behind the name?

From what I remember, it happened quite spontaneously – the guys (guitarists) were gradually buying more and more effects for their guitars, so in a 9m2 room you have to imagine that there were suddenly too many cables on the floor…

What’s your earliest memory of making music?

For me personally, as a drummer, it was still working with my first punk band, Polski Cukier. But then, after meeting Matt, everything moved towards totally crazy music, inspired by Radiohead, and I thought… finally, someone who’s starting to understand music exactly like me! And so it all began.

Which artists do you draw most inspiration from?

I’ve already mentioned Radiohead, and I definitely have to add PJ Harvey, whose music we all fell in love with. The guitarists were heavily inspired by Tool and that kind of heavy sound, and over time, we also delved into shoegaze, even covering My Bloody Valentine. You know, I could go on listing different bands for another two and a half hours.

How else do you find inspiration for your music?

If you ask me about this process over the years, it used to be completely different. We’d swap MP3s, listen to entire albums, and discuss them live. We also enjoy CD collections (some people laugh at me for saying I also have cassette tapes), and we’ve always sought inspiration from that. Today, with Spotify and other media, it’s much easier to find something to your taste. By listening, we inspire ourselves.

What do you love about the Polish music scene?

Again, speaking for myself, I highly value the Polish independent music scene. Of course, we’re not just talking about alternative music here, but also about how pop and alt-pop have developed in Poland (around 2010, when Brodka released her album “Granda”). It was, and still is, an incredible period, where styles blend and many artists create brilliant music. Let me mention not only Dawid Podsiadło, of whom I’m a fan, but also Bokka, Julia Marcell, and Hania Rani. Fantastic artists!

What would you say is the perfect setting for listeners to enjoy your sound?

There’s one thing. You have to use your imagination. If you want music to take you to a strangely familiar place, one you either didn’t know existed or forgot about, then turn up the volume, but not too loud, immerse yourself in our music. Then you’ll see what I mean. Treat our music with gentleness, it calms.

How has your own style and sound evolved since you started out?

From my perspective, thanks to the very distinctive guitars that have been a part of our band since the beginning, I don’t think we can call it a revolution. Evolution, yes. Our sounds have matured and strengthened over time, but it’s the personnel changes that bring about the greatest change in style.

Who would be your dream artist to collaborate with?

I’ll repeat myself, but probably Radiohead. We still view them with passion. Of course, we’re open to even the most unusual collaborations, and we don’t rule out remixes. Today’s market offers many possibilities. We’re also open to electronics and samples.

How did you find making your new EP ‘Not Over’?

Well, some time has passed since then. I remember it being a time of change and challenges. Especially for Mirek, our guitarist, who took over as vocalist after Anna left the band. So it wasn’t easy, but we managed to retain that vibrant vibe, our trademark. It’s also a very emotional album, and as with music, it can mean something different to everyone.

What’s the main thing you want people to get out of listening to your music?

We want people to feel free to express their thoughts, as long as they respect others. In times of lack of empathy, our music has always slowed reality down a bit. We want to create a warm atmosphere where we no longer have to hide from ourselves. We don’t entirely like the world we live in, but I don’t think we’re the only ones. At the same time, we love life and strive to show that in our music.

What’s been your favourite live performance so far?

You know, every show is unique in its own way, and each one left its mark. Each one happened exactly when it was supposed to. It’s like a puzzle. Personally, I loved the Krakow clubs with their incredible atmosphere, like Lizard King. I have fond memories of those shows.

Who would be 3 artists to headline your dream festival?

Did I just think of Radiohead? Oh yes! To my personal list, I’d add Tame Impala or Empire of the Sun, and… Motorhead! Quite a list, huh? Maybe it’s because I didn’t get to see Lemmy live.

Do you have any advice for a new artist wanting to follow your footsteps?

Yes, one piece of advice: Don’t try this at home! Ha ha. And honestly, we’re probably not exactly role models. Life has written a rather long script for us, in which we put family first. Sometimes I think… we would have achieved incredible success if we had more time! But since we don’t, that’s where we are. And one more thing: hard work pays off, and you need to practice a lot to feel comfortable playing.

Finally, what do you have lined up next?

For now we want to concentrate on the promotion of the EP, but there is definitely a lot of material almost ready to be recorded. So, we just need to make some final brush-ups to the song arrangements and we should be ready to schedule the recording session.

Listen to Not Over below