Not many artists build their creative identity around a single emotional idea quite as completely as Tsubasa Lucid. Hailing from Hyogo, Japan, his songwriting arose from heartbreak, disappointment and personal reflection, developing into a sound he’s dubbed as Heartbreak Music, while labels such as Graveyard Doo-Wop and Cold Tyme Country also go some way to mapping out his highly original output. Tsubasa eschews treating sadness as a passing theme in favour of transforming it into an entire creative mission, blending emotional storytelling with influences drawn from country, doo-wop, punk and folk to create a musical sphere that feels at once unique and profoundly personal.
Alongside those musical inspirations sits another important influence in cinema; film has become as important to his artistic development as music itself, shaping the imagery, pacing and emotional language that ripples throughout his sound. The artistic style of that world was revealed in 2022 while living in Himeji when motivated by heartache and broken dreams, Tsubasa wrote a collection of songs that captured his experiences during that period, material that would later become his debut album, Bad News, which landed the next year. The record marked the arrival of an artist whose work was tethered to candid writing, allowing personal experience to become the driving force behind every composition.
Later that same year, life presented another challenge and during a major health crisis, Tsubasa continued writing, resulting in the four songs that formed the EP Nowhere November. Created during an especially difficult chapter, those recordings documented another stage of his journey while expanding the emotional openness that had already become a central pillar of his songwriting. A significant change soon followed as Tsubasa relocated to London with a geographical move gradually becaming an artistic transformation. Over the next two years, he explored the city’s live music community, performing at countless open mic nights and gigs while rereouting his musical direction.
Those experiences resulting in the release of the 2025 EP Unfinished Business, another impressive moment in his ongoing artistic story. London offered more than performance opportunities however and while away from the stage, the city also became a place of creative observation. Tsubasa spent countless hours exploring its cinema culture, finding inspiration in films from the golden age of world cinema. Those cinematic influences increasingly informed his songwriting, providing new ways to explore memory, identity and emotional change.
Following his return to Japan at the end of 2025, Tsubasa immediately began recording a collection of songs written throughout his London years and those previously unreleased compositions now form Leave Her to Heaven, Leave Him to London, a fourteen-track concept album that serves as both a personal archive and a carefully constructed account his life between 2023 and 2025.

“Rest in Tower Hamlets” opens the album and places listeners in a specific location as the swell of murky textures forms an ominous atmosphere that expands with lilting instrumental tones and transport-related sounds before shifting into a jaunty scene of vintage vocalisations. “Pomegranate is Blood” follows with the soft plucks of acoustic guitar which gradually blooms with warm chords and elegant lead flickers to cast a dreamy soundscape as Tsubasa’s rich vocals enter to stitch smokey melodic threads into the alternative folk fabric.
On “Born Broken,” his punk stylings shine through on a lively folk rock anthem that rolls with bright strums and catchy leads, striking a deft balance between angsty tone and melodic bliss. “The Ambrosial Scent of Your Poison” crashes into view with the twang of gritty guitar, steady punch of drums and twinkle of chiming tones and bell tolls as Tsubasa’s expressive voice casts compelling melodic leads above to serve up an immersive slice of gloomy goth folk music that’s engaging, memorable and fiercely original all at once.
Other highlights on the album include songs like “Angel Bruises” with its delicate flutter of acoustic guitar and tender vocal performance, framing Tsubasa’s poignant songwriting in an intimate and highly affecting setting. With “In the Graveyard,” he links up with Liya Shapiro to deliver a moving musical moment that flows with soft piano notes, hazy atmosphere and heartfelt vocals which spin alluring melodies through a veil of misty textures.
“Sleep My Spring Away” glides with lilting rhythm as Tsubasa leans into his doo wop style where a waltzing sway, pulsing bass notes, woozy guitar notes and swooping backing vocals underpin subtly theatrical vocal leads, offering an enduring sound that’s charming and truly impossible not to love. “One Way Mirror” crafts an eerie aesthetic of plucked guitar layers as Tsubasa’s spoken word vocals paints a haunting scene, flowing with soothing voices and intricate arrangement to present a stunning display of his penchant for instilling cinematic vibes into his sound.
Closing the album with “Ice,” featuring VGal, the playful flash of lightly crunchy guitar tones and smooth, alternating vocal lines combine with the clap of rhythm to lay down a delightful duet, offering a superb conclusion to Tsubasa Lucid’s epic new full-length record. From start to finish, Leave Her to Heaven, Leave Him to London captures the emotional landscape of a defining chapter, filtered through an artist whose songwriting is intrinsically linked to memory, cinema and deeply felt experience. By combining vintage musical traditions with cinematic storytelling and uncompromising songwriting honesty, Tsubasa Lucid has created a concept album that documents not just where he lived, but ultimately, who he became during those years.
Listen to Leave Her to Heaven, Leave Him to London below
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