Brand new single from Sehore

Spain-based project Sehore has arrived as one of the more intriguing new names in Europe’s alternative music scene, developing a sound that flows across different genres. Blending traditional structures with dissonant harmonies and adventurous conceptual ideas, the project forms in the overlap between adventurous experimentation and melodic accessibility. There’s also an intellectual quality to Sehore’s music but it is never detached from emotion; philosophical ideas, compositional curiosity and feeling exist side by side, creating work that invites listeners to engage with both its sound and its ideas.

That highly unique approach first took shape with Ladencia, Sehore’s debut album which was recorded at Paco Loco Studio and mastered by Mario G. Alberni at Kadifornia, unveiling an original sonic language built around the tension between the familiar and the unexpected. Traditional chord progressions provided a recognisable setting but Sehore consistently disrupts those expectations with unusual harmonies and deliberate detours.

Tthe album quickly drew attention, with its haunting track “Pesadilla” earning a Silver Medal at the 2025 Global Music Awards. While Ladencia represented the beginning of Sehore’s musical voyage, the project’s second album, Husfikbur, took that output into stranger and more expansive spheres. Released in September last year, the record acted simultaneously as continuation and reimagining, taking ideas introduced on the debut and reshaping them. Husfikbur gained further accolades with its single “Bla bla bla (Cha cha cha)” securing Bronze Medal at the Global Music Awards 2025.

Now Sehore is moving into another chapter with “IA,” the lead single from its forthcoming third album. Written in a 5/4 time signature, the track introduces another intricately unstable musical framework, depicting people with fewer human traits than Turing’s machine. Its unusual rhythmic construction becomes central to that concept, with rhythmic figures shifting between different internal groupings of five. The effect is a fragmented pulse that mirrors the song’s theme, creating instability not simply through texture or harmony but through rhythm itself.

Recorded at Paco Loco Studio in 2026 and once again mastered by Mario G. Alberni at Kadifornia, “IA” points towards an album that appears set to continue Sehore’s fascination with the boundaries of musical form. Serving up a moody slice of alternative art rock, the track forms with the pulse of bass, off-kilter rhythmic march and the bright twang of guitar tones as brooding vocals hover above to add melodic anchor to the wildly creative soundscape. Dashed with flickers of lead guitar flourishes and propelled by the steady drive of drums, it’s another superb showcase of Sehore’s highly unique musical vision and performance flair.

The forthcoming third record will alternate consonance and dissonance while incorporating kitsch elements and miniature structures. That combination suggests a continuation of the project’s core creative tension, where accessibility is placed alongside disruption and familiar forms alongside ideas that challenge them. Across its first two albums and into this next phase, Sehore has presented experimentation as a crucial part of its musical identity and “IA” now offers another window into a project interested not only in how music sounds but in how structure can embody an idea. With its shifting rhythmic groupings and fragmented energy, Sehore once again turns composition into a conceptual playground, where melody and dissonance can coalesce and the unexpected becomes part of the language.

Listen to IA below

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