New York City’s alternative pop scene has produced a truly exciting trio in JENTL, led by Darren Dominique Davis alongside Daniel Mehaffey on bass and Jimmy Arvan on drums. This three-piece band glides between the spheres of dreams and reality, finding inspiration and comfort in that unique, ethereal space.
Since their debut in 2020 with the single “Elephant,” JENTL has continued to win over listeners with their innovative sound via a string of singles and their first EP, Terminal, which arrived in April last year. Now, JENTL returns with their latest offering, the brand new sophomore EP titled People Change. This new project marks a shift in their musical journey, moving from the exploration of their previous work to a more focused and refined sound.
People Change is a collection of tracks that showcase JENTL’s ability to blend genres and create a cohesive sonic experience with slick synths, beats and syncopated rhythms setting up Darren’s silky vocals, which float over the dance floor-ready foundation. Produced by Dan Freeman, who’s previously worked with the likes of Honey Dijon and Tunde Adebimpe of TV on the Radio, the EP nods to French house, disco and soul pop, resulting in an engaging and energising listening experience from start to finish.
Opened by “We Gotta Run,” the uptempo groove filters in to immediately get things moving with a danceable pop affair. Pulsing synths and popping bass lines ride the shuffle of drums as Darren spins instantly catchy vocal hooks above, resulting in a spectacular disco-inflected pop anthem.
On “Nobody,” JENTL are joined by singer-songwriter and former Yesayaer member Chris Keating for a smooth, laid back groover built on a steady beat and vibrant arrangement of constantly shifting synths. With the patter of percussion, funk-infused instrumentation and soulful vocals, it’s a superb collaboration that sees JENTL and Chris Keating lay down a memorable jam.
“Relax” presents a jumpy rhythm and retro-tinged arrangement capped by dynamic vocal performance to serve up a shimmering soul pop outing. With “Crybaby,” the band injects a subtly moodiness while still retaining the shining sound of their dance pop output.
Closing the EP with “The Imposter You Know,” the rapid flurry of percussive shots are met with sliding bass synths and intense, overlapping vocals layer to craft a high-octane sound that dips into rock territory with the crunch of guitars. Showcasing the diversity on the release while still maintaining a cohesive sound, it’s the perfect finale for the band’s sensational second EP release.
Listen to People Change below
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