New York-based alternative rock outfit Why Another have built their shared musical vision around the questions that tend to surface when the noise of everyday life finally falls away. With members drawn from different countries and an interest in the complex side of human experience, the band create songs that balance intimate reflection with expansive, cinematic arrangements. Centred around Adi Malka’s unique vocal tone and melodic flair, their sound brings warm analogue textures into modern indie rock setting, drawing on the exploratory spirit of Radiohead, Mac DeMarco and Grizzly Bear alongside the impactful style of Arctic Monkeys.
Across earlier releases such as “Outside the Globe,” “Beware” and “Garden Fade,” Why Another have developed a musical offering built around hypnotic grooves, unexpected harmonies and melodies that leave a lasting impression. Their arrangements move between quiet contemplation and bursts of energy, finding a balance between carefully constructed songwriting and moments of spontaneity. There’s a particular emotional openness to their work, with lyrics that explore the unknown without necessarily attempting to resolve it.
Live, that quality becomes something shared, as the band’s relaxed, funny and emotionally immersive performances turn their songs into collective experiences as opposed to straightforward reproductions of the recordings. Now, their latest five-track EP, The Color Is Off, brings these ideas into sharper focus with a release written across different periods in the band’s history, connecting experiences from their earlier years with the more recent perspective developed during their time in New York City. Despite its existential subject matter, the EP finds Why Another working with a more direct and accessible approach than on previous releases.
Big choruses, memorable melodies and an instinctive sense of groove give the songs an instant appeal while still preserving the emotional context underneath. Opening track “Life Distraction” introduces the record through the experience of feeling out of step with the world. Social cues are missed, rejection becomes familiar and the sense of belonging seems increasingly distant but life continues regardless, leaving the narrator with the decision to keep moving forward despite the discomfort of feeling disconnected. It maps out the EP’s central concern with facing existence while still trying to understand one’s place within it.

“Abundance” follows, exploring the tension between recognising destructive patterns and continuing to repeat them. Its internal dialogue considers the experience of feeling unseen, almost like a ghost moving through everyday life, while confronting two opposing fears, both the possibility of growing and the possibility of remaining unchanged. The notion takes another form in “Moonrise,” which places the listener in the doorway of their own home, where one side represents the familiarity of the life already known while the other offers the unknown beyond it and in the quiet of the night, the question becomes whether to leave or stay.
The search for direction continues with “Until I Get Old,” a reflection on the difficulty of developing personal values in a world that constantly attempts to shape them. Its focus is the pressure to accept outside expectations and the danger of reacting before taking the time to think. By not allowing someone else’s vision to dictate who they become, the song encourages a more considered relationship with personal beliefs.
The title track, “The Color Is Off,” brings these ideas together in a fragmented, dreamlike exploration of intuition and trust. Real and imagined moments begin to blur, threatening the listener’s understanding of what is right, wrong, real or distorted. Its closing reassurance, ‘you’ll do just fine,’ offers comfort without pretending that every uncertainty has been settled. There’s no neat conclusion, only the recognition that the storm may be approaching and that trusting yourself is part of facing it.
The five songs were recorded live together at Epiphany Recording Studio in New York, preserving the interaction and energy that sit at the centre of Why Another’s output. Experimentation remained part of the process, with 12-string guitar, unusual percussion and unplanned textures adding detail to the arrangements. With another album planned for recording and production next year, alongside further live performances in the months ahead, Why Another are continuing to explore the area between certainty and doubt. The Color Is Off doesn’t promise answers but finds something quietly reassuring in the act of questioning, rebuilding trust and learning to move forward without having everything figured out.
Frontman and drummer Adi Malka shares, “For me, The Color Is Off is about trying to be okay with uncertainty, and trusting yourself enough to keep going anyway. To be honest, I’m still processing how I feel about this release. Obviously, there’s relief and a sense of accomplishment, but more than anything it feels like an act of trust.”
Adding, “I don’t really have the answers, and that’s actually at the centre of this EP. These songs, both old and new, come from different moments of questioning where you fit, what you believe, and whether you can trust your own sense of things. I work with, and even rely on, my intuition, and releasing music always comes with the hope that the things we respond to in our songs will connect with other people out there.”
Listen to The Color Is Off below
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