Based in south London, 2nd Magpie Project is a loose collective of self-taught songwriters and musicians united by a steadfast mission of looking for the positive. Named after the familiar rhyme ‘one for sorrow, two for joy…’ the project has turned that outlook into a musical practice built on freedom, curiosity and highly original creative vision. With membership deliberately fluid and the songs themselves providing the constant, 2nd Magpie Project ultimately seeks to create the music its members actually want to hear.
Leading the project is Chris Barnham, a Lewisham-based science fiction writer, former politician and civil servant whose songs and vocals provide the creative fuel. The endeavour started out with music made purely for pleasure, partly from a challenge issued by friends who were tired of hearing the group complain about the lack of music they wanted to hear and the answer was simple, stop complaining and see if they could do better.
That DIY challenge remains central to 2nd Magpie Project, with no desire to tick boxes or impress anyone and no attempt to disguise the fact that the collective’s musical skills remain a work in progress. The freedom to experiment becomes part of the appeal and as Chris puts it, the project is about making music for fun and hoping that the songs connect with listeners.
2nd Magpie Project first made an entrance towards the end of last year with the leftfield cover of a Christmas single, immediately confirming that predictability was unlikely to be part of the plan. January this brought “Get A Gun (And Learn To Shoot),” pairing an upbeat, almost danceable electronic pop sound and by April, “On The Beach” shifted direction again, moving into more melodic pop rock while capturing the quiet emotional limbo of a relationship reaching its end.

That knack for changing shape now continues with “Divine Intervention,” the group’s third single of 2026 and the latest product of its secret writing and recording base in Lewisham. The new track takes another detour, arriving with the atmosphere of Nick Cave filtered through a hazy shoegaze-inflected lens. Thematically, “Divine Intervention” recounts the tale of an extinguished love and the survivor who’s left unable to move forward. It’s a darker sphere for a project whose very name is tethered to finding optimism but that contrast is exactly what gives the song its impact.
Opened by the steady patter of drums and delicate layers of instrumentation, an immersive soundscape gently drifting with lilting rhythmic sway as Chris’ tender vocals enter to spin mellow melodies above. Flowing with storytelling lyricism and intricate guitar flickers, the song casts a dreamy listening experience that’s mesmeric, memorable and meaningful all at once. It is a dense, wholly absorbing backdrop for Chris’ most emotive writing thus far, giving the track a weight that matches its subject matter while buildingon the collective’s flair for experimentation.
The song frames grief as “the shadow cast by love” while exploring what happens when that love leaves behind an equally substantial shadow. It’s a compelling artistic statement from a project that’s already shown an appetite for heartfelt, candid songwriting and musical unpredictability. With further releases set to explore 2nd Magpie Project’s blend of literate, emotionally driven songwriting, indie pop, folk and Americana, they’re showing no signs of slowing down and we can’t wait to see what else they’ve got in store for the rest of 2026 and beyond.
Listen to Divine Intervention below
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